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Junkspace first appeared in the Harvard Design School Guide to Shopping (2001), a vast compendium of text, images, and data concerning the consumerist transformation of city and suburb from the first department store to the latest mega mall. The architect Rem Koolhaas itemized in delirious detail how our cities are being overwhelmed. His celebrated jeremiad is updated here and twinned with Running Room, a fresh response from the cultural critic Hal Foster. Junkspace describes the bleak and featureless world of capitalism, while Running Room seeks to find a space within the junk in which the individual might still exist.

Architecture --- 72.07 --- Architectuur ; architectuurtheorie ; Rem Koolhaas --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Philosophy --- Architecten. Stedenbouwkundigen --- Design and construction --- Koolhaas, Rem, --- Criticism and interpretation. --- Architecture. --- Architecture, Primitive

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Les réalisations des agences OMA basées à Rotterdam, Hong Kong, New-York sont réunies dans cet ouvrage.

Office for Metropolitan Architecture (OMA) --- Office for metropolitan architecture --- OMA (Office for Metropolitan Architecture) --- Koolhaas, Rem --- 72.07 --- 72.039 --- Architectuur ; 1997-2015 ; OMA ; Rem Koolhaas --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 --- Architecture, Modern --- Criticism and interpretation --- Office for Metropolitan Architecture --- Criticism and interpretation. --- Office for Metropolitan Architecture. --- Architecture

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Avec le nouveau Parc des expositions et Centre de convention de Toulouse, le bureau hollandais OMA (Office for Metropolitan Architecture) démontre une nouvelle fois son incomparable capacité à transformer un classique équipement commercial en une architecture à la fois puissante et raffinée jusque dans les moindres détails. Faisant d'un long parking silo l'axe d'un dispositif à la fois spectaculaire (600 mères de long) et très simple (trois bandes parallèles), il crée une machine d'une redoutable efficacité pour gérer - et générer - les grands événements. Le grand format et les superbes photographies de Marco Cappelletti rendent compte des extraordinaires expériences spatiales que procure l'échelle du MEETT

72.07 --- 725.8 --- OMA (Office for Metropolitan Architecture) --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- Architectuur ; Frankrijk ; Toulouse --- Architecten. Stedenbouwkundigen A - Z --- Openbare gebouwen ; gebouwen voor cultuur en ontspanning --- Bâtiment multifonctionnel --- Bâtiment public --- Parc d'exposition --- Office for Metropolitan Architecture (OMA) --- Toulouse

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Ce livre, s'appuyant sur six projets emblématiques de Rem Koolhaas, analyse la pratique discursive qui sous-tend les méthodes de conception utilisées par Koolhaas et l'OMA. Il met en exergue les principaux thèmes récurrents (mur, vide, montage, trajectoire, infrastructure et forme) qui ont structuré ce discours. Les projets : Exodus ou les prisonniers volontaires de l’architecture, ville nouvelle Melun-Sénart, maison à Bordeaux, ambassade des Pays-Bas à Berlin, bibliothèque publique à Seattle, immeuble CCTV Beijing.

Koolhaas, Rem --- Architecture --- Theory --- Criticism and interpretation. --- OMA --- OMA. --- Architectuur ; 1972-2008 ; Rem Koolhaas --- Koolhaas, Rem ; OMA --- Koolhaas, Remment --- 72.07 --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- OMA (Office for Metropolitan Architecture) --- Architecten. Stedenbouwkundigen A - Z --- Office for Metropolitan Architecture --- Koolhaas, Rem, --- Koolhaas, Rem, 1944 --- -Architecture --- Architecture, Modern --- Office for Metropolitan Architecture. --- Koolhaas --- history of ideas --- design knowledge --- urbanism --- utopia --- Ideengeschichte --- Architekturwissen --- Urbanismus --- Utopie --- Le Corbusier --- Rem Koolhaas --- Koolhaas, Rem, 1944-

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Lara Schrijver examines the work of Oswald Mathias Ungers and Rem Koolhaas as intellectual legacy of the 1970s for architecture today. Particularly in the United States, this period focused on the autonomy of architecture as a correction to the social orientation of the 1960s. Yet, these two architects pioneered a more situated autonomy, initiating an intellectual discourse on architecture that was inherently design-based. Their work provides room for interpreting social conditions and disciplinary formal developments, thus constructing a `plausible' relationship between the two that allows the life within to flourish and adapt. In doing so, they provide a foundation for recalibrating architecture today

Architecture and society --- 72.01 --- 72.07 --- 72.038 --- Ungers, Oswald Mathias 1926-2007 (°Kaisersesch, Eifel, Duitsland) --- Koolhaas, Rem °1944 (°Rotterdam, Nederland) --- History --- Architectuur ; theorie, filosofie, esthetica --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 1950 - 2000 --- Ungers, O. M. --- Koolhaas, Rem --- Koolhaas, Remment --- Office for Metropolitan Architecture --- Ungers, Oswald Mathias --- Ungers, Oswald M. --- Ungers, Oswald Matthias --- Criticism and interpretation. --- Architecture --- houses --- cities --- architecture [object genre] --- Postmodern --- anno 1970-1979 --- Architectuurtheorie --- Architectuur (theorie) --- Analyse de l'architecture --- Théorie de l'architecture